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ANGOULÊME 2023

Si apre ad Angoulême la 16ma caccia al Valois d'Or

di 

- Con il suo concorso di undici titoli inseriti in un programma molto ampio che comprende una ventina di anteprime mondiali, il Festival del cinema francofono si svolgerà dal 22 al 27 agosto

Si apre ad Angoulême la 16ma caccia al Valois d'Or
Le temps d’aimer di Katell Quillévéré

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The world premiere of The Baby by Guillaume Nicloux will tomorrow open the 16th Angoulême Francophone Film Festival (FFA) which will unfold until 27 August. The event, considered by French distributor an ideal launching pad to test films that are set for a national release in the coming months in front of an audience (52,000 people in 2022), will close with Flo by Géraldine Danon (unveiled in Cannes at the Cinéma de la Plage) and offers a very large programme that includes a competition of eleven titles, judged by a jury headed by Laetitia Casta (and featuring Khaouter Ben Hania, Monia Chokri and Raphaël Quenard).

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Competing for the 2023 Valois d’Or are four titles unveiled in Cannes: Along Came Love [+leggi anche:
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intervista: Katell Quillévéré
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by Katell Quillévéré, Omen [+leggi anche:
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intervista: Baloji
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from Belgian-Congolese director Baloji (winner of the Un Certain Regard New Voice Prize), All To Play For [+leggi anche:
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intervista: Delphine Deloget
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by Delphine Deloget and Rosalie [+leggi anche:
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by Stéphanie di Giusto. Also in competition and having their world premiere at the festival are La fiancée du poète [+leggi anche:
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by Yolande Moreau, Iris et les hommes by Caroline Vignal, L’air de la mer rend libre by Nadir Moknèche and La vie de ma mère by Julien Carpentier. Finally, also vying for the award are First Case [+leggi anche:
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intervista: Victoria Musiedlak
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by Victoria Musiedlak (discovered on the Piazza Grande in Locarno) and two Canadian feature films (Bungalow by Lawrence Côté-Collins and Le plongeur by Francis Leclerc).

19 films will be premiering at the festival, 9 of them having their world premiere: Borgo by Stéphane Demoustier, Anti-squat by Nicolas Silhol, Visions by Yann Gozlan, Gueules noires by Mathieu Turi, Le bonheur est pour demain by Brigitte Sy, Les rois de la piste by Thierry Klifa, Ma France à moi by Benoit Cohen, Sentinelle from the duo Hugo Benamozig - David Caviglioli and Testament by Canadian director Denys Arcand. Also playing are Edge of the Blade [+leggi anche:
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by Vincent Perez (winner of the Audience Award in Karlovy Vary), Madame de Sévigné by Isabelle Brocard as well as the Cannes titles The Goldman Case [+leggi anche:
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intervista: Cédric Kahn
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by Cédric Kahn, A Century of Devotion [+leggi anche:
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by Frédéric Tellier, The Nature of Love [+leggi anche:
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intervista: Monia Chokri
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by Monia Chokri and Marguerite's Theorem [+leggi anche:
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intervista: Anna Novion
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by Anna Novion.

The section titled "Les Flamboyants" will present the documentary Madame Hofmann by Sébastien Lifshitz, the Cannes title Bonnard, Pierre et Marthe [+leggi anche:
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intervista: Martin Provost
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by Martin Provost and Le voyage en pyjama by Pascal Thomas (world premiere), while the "Premiers rendez-vous" programme includes among other titles the Cannes competition entry Banel & Adama [+leggi anche:
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intervista: Ramata-Toulaye Sy
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by Ramata-Toulaye Sy and two world premieres with La tête froide by Stéphane Marchetti and Comme une louve by Caroline Glorion. Also worth noting are Toni, en famille by Nathan Ambrosioni in the "coups de cœur" section, and a world premiere in the "Nouveaux regards" category for Nouveau monde by Vincent Capello.

The rest of the very rich programme also includes an homage to Swiss cinema and a Focus on French director Philippe Le Guay.

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dal francese)

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